RIP, Microsoft Paint. MS Paint, the first app you used for editing images, will probably be killed off in future updates of Windows 1. Paint 3. D. Microsoft lists the 3. Windows 1. 0’s next autumn update, a little X marking the end of an era. The app is certainly a relic, from a time when the casual computer user couldn’t crack open Photoshop or Skitch or Pixelmator or thousands of web apps. MS Paint can’t save image components as layers or vectors; it’s for making flat static images only. It doesn’t smooth lines or guess at your best intentions. It does what you tell it and nothing more, faithfully representing the herky- jerky motion of drawing freehand with a computer mouse. It’s from a time before touch, a time before trackpads. As more sophisticated options appeared, Paint’s janky aesthetic became a conscious choice. Paint” became the metonym for that aesthetic, even if an image was actually created in another app. TV Tropes lists major limitations that came to define a certain look: the wobbly freehand lines, awkward color handling, and inappropriate export settings that give Paint its distinctive look. In 2. 01. 4, Gawker’s Sam Biddle noted Paint’s influence on conspiracy theory images, calling the form “Chart Brut.” In amateur detectives’ attempts at identifying the Boston Marathon bombers, the simplicity and jaggedness of Paint evokes the “crazy wall” aesthetic of red string and scribbled notes, apparently without irony. The same year, internet historian Patrick Davison explored Paint’s influence on the last decade of meme culture, particularly Rage Comics. The outsider- art aesthetic feels appropriate to the relatable everyday content, and makes the art form unthreatening. Of course, Paint offered a few features to smooth things out, like the circle and line tools and the “fill” tool, all used in the stoner comics of the early 1. Crucially, those circles still had jagged curves. The bright colors of stoner comics are flat, as MS Paint didn’t support gradients (without an elaborate hack). Contrast those pixellated lines with the slick, stylish face from this art tutorial: This slickness is built into Paint’s successor, Paint 3. D. From the moment you start sketching, Paint 3. D smooths out your art. It also supports automatic selection tools and content- aware fill to rival Photoshop’s.)By automatically improving art, Paint 3. D hides the process behind the image. Paint’s sloppiness is probably why rage comics got so popular. Looking at a rage comic, you can tell exactly how it was drawn, and how you might draw one yourself. By delivering exactly what the artist draws, MS Paint forms an image that the viewer can mentally reverse- engineer and imitate. Unless you go absolutely nuts with it. Reddit user Toweringhorizon painstakingly assembled the drawing “To a Little Radio” using MS Paint tools like the oil brush, stretching the medium while maintaining a pixelated look. It’s one of the top submissions to MS Paint subreddit, a beautiful collaborative art gallery. Scrolling through this art feels like flipping through the sketchbook of the most artistic kid in high school. There’s an accepted roughness, a desired minimalism. For example, the exquisite raindrops in the work above are reflected in a flat, featureless tabletop. Like a transistor radio, Paint might be showing its age, but this tenacious little gadget should not be underestimated.“To a Little Radio” doesn’t even come close to testing Paint’s limits. As we say goodbye to the app that shaped an era, let us watch this bizarrely soundtracked time lapse of drawing Santa Claus in MS Paint on Windows 7 over the course of 5. We can only believe this is real because faking it would be even harder.
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By contrast, clients and servers in some service- oriented architectures (SOA)[which?] interact through a fixed interface shared through documentation or an interface description language (IDL). The way that the HATEOAS constraint decouples client and server enables the server functionality to evolve independently. Details[edit]A REST client enters a REST application through a simple fixed URL. All future actions the client may take are discovered within resource representations returned from the server. The media types used for these representations, and the link relations they may contain, are standardized. The client transitions through application states by selecting from the links within a representation or by manipulating the representation in other ways afforded by its media type. In this way, RESTful interaction is driven by hypermedia, rather than out- of- band information.[1]For example, [2] this GET request fetches an account resource, requesting details in an XML representation: GET/accounts/1. HTTP/1. 1. Host: bank. Accept: application/xml.. The response is: HTTP/1. OKContent- Type: application/xml. Content- Length..< ? The response contains these possible follow- up links: make a deposit, withdrawal, or transfer, or close the account. When the account information is retrieved later, the account is overdrawn: HTTP/1. OKContent- Type: application/xml. Content- Length..< ? Now only one link is available: to deposit more money. 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Unfortunately, people are fairly good at short- term design, and usually awful at long- term design".[1]Implementations[edit]Spring HATEOAS,[4] part of the Spring Framework. Yii 2 Framework REST API supports HATEOAS,[5] part of the Yii Framework (since version 2. Jersey API supports HATEOAS[6]Tastypie supports HATEOAS[7]Eve supports HATEOAS[8]Apigility, API builder based on Zend Framework 2, supports HATEOAS[9]Hateoas PHP library, supports HATEOAS REST Web Services implementations. API Platform, PHP framework based on hypermedia and Linked Data support with JSON- LD, Schema. Hydra. Atom. Graph Processor, a Java backend for building declarative, read- write Linked Data applications, supports HATEOAS Linked Data[1. Symfony Framework supports HATEOAS with willdurand/Hateoas. WSO2 Governance REST API, supports HATEOAS based hypermedia and Linked Data. See also[edit]References[edit]. Culpeper, VA (22701) Today. A mix of clouds and sun. High 71F. Winds NE at 5 to 10 mph. 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Informative articles and tips for strength training. ![]() Soccer Bet Winning System Exercises For Vertigo![]() Whether it's poundage progression, timed sets, ultra- high reps, or a new workout routine, you can always find a way to make your training both interesting and challenging. Getting older presents its own form of a challenge. Hoisting the Iron as we get older is not for the faint of heart. A famous weightlifter once said that it takes a very brave man to lift heavy weights. I would double- down on that statement by saying that it takes a brave man to lift heavy weights as he gets older. There are many great examples of strength athletes who have defied the odds, and continued to train at a high level of intensity at an age when many people would be content to engage in nothing more strenuous than golf. Al Oerter, Bruno Sammartino, Norbert Schemansky, Jack La. Lanne, and, of course, John Grimek are just some examples of legendary athletes who have inspired countless trainees over the years, myself included. It is because if my admiration for the legends of the Iron Game, and also my appreciation for the spirit of old- school Physical Culture, that I have tried to complete a "Birthday Challenge" every year for the last twelve years or so. The actual challenge has usually consisted of selecting one or more movements and perform as many reps as possible over a set period of time. Over the years I've flipped heavy Strongman tires done high- rep Deadlifts, walked long distances with a Weighted Vest, and done various Atlas Stone workouts. This year, I decided to incorporate the use of heavy Anvils into my workout. And, since this was my 5. The actual workout was as follows: 1) 1. Lb. Atlas Stone Lift ( from ground to shoulder.)2) 1. Lb. Anvil Press. 3) 1. Lb. Anvil Lift w/ Headstrap. Lb. Anvil Curl. 5) York Krusher. Each movement was to be done for a total of 5. Lifting Stones has become a staple of my birthday challenges. There is just something about lifting a granite stone from the ground, and then shouldering it. The rough granite tears the skin on my forearms, and leaves my shoulder bruised, and my body fatigued, but there is a feeling of satisfaction after completing a demanding workout. Normally, I try to lift stones every 1. Of course the weather plays a role in when I can train, but the warmer weather always brings about more frequent stone workouts. And the numerous holes/craters in my backyard will attest to the fact that Summer and Stones go hand in hand! When it comes to pressing Anvils overhead, I am still something of a newcomer to the game. In fact, I never did Anvil Presses until recently. During the last week of June, I had the pleasure of training with Steve Weiner. Steve is a professional Strongman, a Certified Captain of Crush and a very powerful man. He's also true gentleman, and was kind enough to invite me to train at his home. After doing several sets of heavy Deadlifts, he had us doing Anvil Presses with his anvil. Even though it was my first attempt at lifting anvils overhead, I was instantly hooked. Lifting heavy anvils overhead has now become something of a challenge for me. My immediate goal is to clean and press my 1. So far my best is 1. Lbs. for five reps. I've had my Ironmind Headstrap since the early 9. The importance of neck work has been widely commented on by many strength coaches over the years. I've always believed in training the neck with as much enthusiasm as one would train any other body part. And while there are many quality neck training machines on the market, I still think that utilizing a quality Headstrap is the easiest, and most effective way to strengthen and develop the muscles of the neck. My 1. 35 Lb. Anvil was a the perfect size to challenge myself and at the same time maintain strict form. Cheating, sloppy form, or jerky movements when performing neck work is an invitation to injury.The 1. 00 Lb. Anvil Curl is an "oldie but a goodie" for me.I have never liked doing regular curls.Whether it was barbells, or dumbbells, curling has never been an exercise that has held much interest for me.However, for some reason, doing Anvil curls makes the movement at least a little interesting. The final movement of my challenge, the York Krusher, was done as an homage to the spirit of York Barbell. How many older lifters have been inspired by Strength and Health, and Muscular Development? How many trainees got their start with York weights? I just thought that my vintage York Krusher would be a great, and unique, addition to the workout. Thursday July 2. 0 was a hot, humid day. I knew that I would have to be adequately hydrated both before- and during- the workout. The workout itself was simple. I would do the movements in two groups. The first group was Stone, Anvil Press, and Headstrap. I did the exercises for 5- 6 reps at a time. For example, I'd lift the stone for six reps, then proceed to the Anvil Press, then do the Headstrap. I would then rest for a minute and then repeat the cycle until I hit 5. The hardest part was the stones. Because of the stone rolling after each rep, and the need to get proper footing for each rep, it took longer to complete a set with stones than with the other exercises. But the reps themselves went smoothly. For all the movements. It wasn't until I hit the upper thirties that I began to feel fatigued. And, of course, the hoy weather required that I change my shirt about halfway through. After I completed 5. Anvil Curl, and York Krusher. The curls, after the Stones and Presses, were brutal. I did the same rep scheme as the first cycle. Sets of 6- 8 curls, immediately followed by the Krusher. The Curls became especiallydifficult once I hit 3. I really had to fight through the last 2. The Krusher actually felt easy after struggling with the curls. But, after a lot of work, sweat, and fatigue, I was able to complete the workout that I set out to do. Following the workout, I felt as though I had been hit by a truck. I was (barely) able to text Steve Weiner to tell him that I was finished ( in more ways than one!) Each year, there seems to be a point during my challenge when I ask myself if it's all worth it. And, every year, at the conclusion of the workout, I answer with a resounding: "Yes! It certainly was!". Original Title: "error opening excel 2007 file in windows 7" I have an excel 2007 file (.xlsm) that has macros and visual basic script in it. I created the file in. · Operating System Maximum Security Impact Aggregate Severity Rating Bulletins Replaced by this Update; Windows XP Service Pack 3: Remote Code execution. 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The dialog has a tab for Y Error Bars, and if it’s an XY data series, there is also a tab for X error bars. From this dialog you can assign values to the error bars, such as a fixed value, a percentage of the data point value, a couple of statistical measures, and custom values from a worksheet range. You can also assign the direction of the error bars (plus, minus, both, or neither). One nice feature is that the custom error bar value selection controls are right on the same dialog as everything else. To format error bars, you first select them, then bring up the dialog with a double click, a right click, the Ctrl+1 shortcut, or the Format menu. In the chart below I have clicked once, which selects both X and Y error bars in an XY chart. The dialog has three tabs. Any changes you make on the Patterns tab affects both X and Y error bars. The other two tabs allow you to reapply error bar values. Rather than selecting both sets of error bars in this chart, I have clicked once to select both X and Y error bars, then again to reduce my selection to just the Y error bars.The Format Error Bars dialog now only has a Patterns tab and a Y Error Bars tab.If you change any format on the Patterns tab it only affects the error bars you selected before opening the dialog.Changes to Error Bars in Excel 2.It is harder to apply error bars in Excel 2.There is no convenient tab on the Format Series dialog. ![]() Now that the Office 2010 RTM is released and available for public, it’s the right time to upgrade and explore the newest version of Office on your PC. Office 2007. In the table below, I've linked directly to the latest Microsoft Office service packs for each version of Office. As of September 2017, the latest service packs for. The Error Bar tab(s) as well as the tabs for Data Label, Up/Down Bars, High/Low Lines, and other features have been removed to make them more discoverable, at least that’s what we were told. To discover these features in Excel 2. Chart Tools > Layout contextual tab. Click on the Error Bars button, and scratch your head while you try to decipher the options. Finally, select the More Error Bars Options at the bottom of the list. X (if it’s an XY chart) and Y error bars are added to the chart series, with the Y error bars selected, and the Format Error Bars dialog is displayed with the Vertical Error Bars tab showing. If the chart has more than one series, and you had not specifically selected one series, there is an intermediate dialog asking which series to work with.)This dialog doesn’t look too unfamiliar. There is no obvious way to switch to the horizontal error bars. We are used to having not just a tab for the vertical error bars, but also one for the horizontal error bars. Hmm, oh yeah, modeless dialog. Click on the horizontal error bars in the chart, problem solved. Unlike Excel 2. 00. X and Y error bars in Excel 2. This means that if you want the same formatting to both, you have to apply it twice, and the F4 function key shortcut for Repeat Last Action only repeats the last single itty bit of formatting (if you change line color, thickness, and dash type in that order, for example, only dash type is repeated). An inconvenient part of the user interface for error bars in Excel 2. This dialog is modal, so if the Format Error Bars dialog was partially covering the range you want to use, you have to clear the small child dialog, move the main dialog, and bring up the Custom Error Bars dialog again. Custom error bars are described in more detail in Custom Error Bars in Excel Charts. By default, each field contains a one element array with the element value equal to one. You can enter another constant value, and you don’t need to type the equals sign or curly brackets; Excel will insert them. More likely you want to select a range. Make sure you delete the entire contents of the entry box before selecting a range, or at least select it all, or Excel will think you meant to enter something like={1}+Sheet. D$5: $D$1. 3If you want the value to be zero, enter zero. Don’t completely clear an entry box. Excel will think you simply forgot and it will retain the previous value. For all of the problems, using error bars in Excel 2. You have some nice formatting options available to you. One that appeals to me is an alternative to the regular end cap appearance of the error bars. You can change to the end- cap- less variation, then format the error bar line style so they end with an arrow head. I don’t remember if this is the most useful, or the only useful, new formatting feature available in Excel 2. Error Bar Utility. To make it easier to use error bars in Excel 2. Classic Excel), I’ve built a small utility, which you can download and use for free. It’s found in Error. Bars. zip. This zip file contains two versions, Error. Bars. xls for Excel 9. Error. Bars. xlam for Excel 2. Install this utility by following the instructions in Installing an Excel Add- In or in Installing an Add- In in Excel 2. In Classic Excel, the utility places a new item, Add Error Bars, at the bottom of the chart series context menu. All you have to do is right click on the series and select Add Error Bars. Despite all the assurances that context menus work the same in Excel 2. Excel 2. 00. 7 chart- related context menu. What I’ve done instead is to add an Error Bars item to the end of each of the three Chart Tools contextual ribbon tabs. I know the new philosophy of Office is to place a command in only one place in the whole user interface. I prefer the old style philosophy, however, which is to place the command in every place it may be relevant. I never know where I may be when I want to use a command, and some people remember different hiding places than I do. Whether in Excel 2. Up pops a simple dialog with four data entry boxes, for plus and minus Y error bars, and for plus and minus X error bars. If the chart type is not XY, the X error bar entry boxes are disabled. You can select a range or enter a constant into the entry boxes. I hope that this tutorial and the associated utility will make your life easier when working with error bars in Excel 2. |
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